all my videos in one box
Come Fly with Me
A track and video I did a long time ago. Its on my debut album The Tiki & The Gui­tar. I designed the type­face in Fontog­ra­pher and ani­mated the video in Flash.
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Bachelor Pad Bossa
I created the music (composition, recording, production) for this advertisement, commissioned from Munich. I suggested a handful of styles and we agreed upon this 70s, Disco-era Bossa groove and I had pretty excact timing cues to tailor the track to. Fun job - if you have something like this for me, I will be all over it! For internet use I can offer total buyout, too.
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Fatu Hiva
Today I’m aware that the tracks name giving is­land is actually spelled Fatuhiva, but anyway this (Fatu Hiva) is the spelling you can read at iTunes, Amazon or on the CD cover of the album. The is­land footage is of course Rapa Nui, or the eu­ropean name East­er Is­land. Fa­mous for its big rock stat­ues called Moai in the native polynesian dialect. The footage is public domain and since it re­m­inded me a lot of Thor Heyerdahl (au­thor of Kon-Tiki) who wrote books about Fatuhiva as well as Rapa Nui. Fatuhiva is clos­er to the center of Polynesia, thus clos­er to what has become known as Tiki. Howev­er in re­cent years (and in Heyerdahls days) the Moais have become icons of Tiki Pop Cul­ture. The Exot­ica style of my record­ing cel­ebrates the mys­te­rious, man­i­fold and obscure cultur­al sources, seem­ingly embod­ied in the gi­ant stone idols os East­er Is­land. I recorded the track orig­inally for the forthcom­ing DVD of Tiki. The mu­sic was heav­ily in­spired by the likes of Les Baxter compos­er of Quiet Village (made fa­mous by Mar­tin Denny) and soundtracks in the 1950s and 1960s.
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The Devil's Toy
Orig­inally I recorded this short track for a promotional video for a new fun-sport motor vehicle. The mu­sic is in­spired by Davie Allan & The Arrows who record great gui­tar Rock-In­stru­mentals, starting in the mid-sixties. They started with a skateboard movie called Ska­ter­dater and went on to record for American International biker exploi­tation flicks like The Wild An­gels. The band is still go­ing strong out of Los An­ge­les, California. The ti­tle of my track here I borrowed from an­oth­er skateboard film of the mid-sixties. The pic­tures to my mu­sic I found in an on­line archive of public domain videos. The sound is my Mosrite Combo gui­tar detuned a full step and played into a vintage ital­ian fuzzbox and then into a 1964 Fend­er Bandmas­ter.
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