Great Surf Soundtrack Comp!

chaiman of the board comp cover

Quoting from their MySpace profile:

Surf Soundtracks 1964 – 1974 Released on July 2nd on Harmless Records

Never mind the Beach Boys, Chairman Of The Board is a collection of vintage soundtracks from iconic cult surf films. Underground film makers wanted original music, a harder sound to reflect the new wilder cinematic expression now possible on the face of a wave. The soundtrack they chose to enhance this visual experimentation was the mellower stoner blues and psychedelic rock, which perfectly captured the cerebral highs of living the alternative dream. The music featured on this compilation, some of which has never been released, originates from six of these classic surf films.

I have some of the films on VHS or DVD, and some of the released soundtracks on vinyl. It’s a really great genre with a very high musical standard. And it’s something you can play to people if they ask you what music surfers listened to, in the 60s (and early 70s in this case).

Hammond Organ Spy-Jazz

Ingfried Hoffmann plays Bond

Ingfried Hoffmann – Plays Jazz for Secret Agents

Fantastic organ led spy-jazz cd. Mostly Bond titles from the early movies, but some great originals too. A nifty guitar player is involved here as well!!!


Ingfried Hoffmann - Jazz Club: Hammond Bond

iTunes link

Rare Gretsch Tiki Guitar

Tiki Talk made me aware of this rare bird from Gretsch a while ago. The guitar is based on the very rare Gretsch White Penguin, which is like a small bodied White Falcon. You can see one like this in the Beat Club appearance by the Small Faces, or here.

Update by baxter from the Gretschpages:

Couple of notes on the Easton White Tiki:

Vintage White Penguins are excruciatingly rare. A real Holy Grail guitar. Few people have ever even seen one. However, they have been reissued, and modern ones aren’t particularly difficult to come by.

The White Tiki itself doesn’t share much with the penguin beyond the white paint, although it was undeniably inspired by it. It’s actually much closer to standard signature model (6128EE, in Gretsch model numbers) only with the white finish and tiki trappings that Elliot’s a big fan of.

Response to the guitar was overwhelmingly positive, () but for whatever reason Elliot and Gretsch parted ways and that was the end of that. As far as I know, only the one prototype was made.

If I hunt, I maybe able to find the revised headstock treatment I created for it.

New Sven Kirsten Book Tiki Modern

After the groundbreaking book on Tiki Pop-Culture of the mid-20th century Tiki Modern follows up with the perfect companion, focusing even more on the interior design aspects of modern Tiki during his heyday.

Deutsch Kurzbeschreibung von der Buecher.de Seite:

Kurzbeschreibung: Dieses amüsante Buch bringt zwei der jüngsten Retro-Trends zusammen: Das Faible für die 1950er und 60er sowie den Tiki-Style. Mit einer Mischung aus Enthusiasmus und Ironie zeigt Autor Sven Kirsten, wie Naivität und Moderne Mitte des 20. Jahrhunderts Hand in Hand gingen. Im wahrsten Sinn des Wortes schrecklich moderne Möbel verbanden alten Kitsch und neue Heldenverehrung zum Beispiel Kreationen aus dem Hause Witco; dem Unternehmen, das Elvis Presleys ‘Jungle Room’ und Hugh Hefners Playboy-Pool schuf. Eine wahre Hoch-Zeit des Designs!

hier geht’s zum Buecher.de Shop

2nd Tiki Art Exhibition Amsterdam

Forwarded from Hankabilly on MySpace:

Tiki Art Exhibition opens by Shaman Lapu Lapu from Tiki Island.
Sun April 15 from 4 pm
“2nd Tiki Art Exhibition” till May 20 2007

This group show of new work inspired by Tiki by
Sam Gambino (usa)
www.samgambino.com
Heather Watts (can)
www.theartdeck.com
Tiki Tony (usa)
www.tikitony.com
Tiki Racer (uk)
www.tikiracer.com
Jasper Fijnvandraat
www.jasperwerk.nl

Beatnik Beach Film Night at the Egyptian Theater

beats

Domenic Priore from Dumb Angel writes:

(It’s all about the ocean, mannnnnnn…… — Dom)

It’s been a while since I contacted everyone about a blog or somethin’ cool, but this time, it’s for real….

Dig, The American Cinematheque at the Egyptian Theater is letting us do our “Beatnik Beach Film Night” this Friday night. We did one last summer at Sponto Gallery in Venice, then in December we brought it to the Roxie Theater in San Francisco. Now, everybody’s been asking us for months to “do this in town” (Venice is a long haul for most of you), so we’re doin’ it up right then, and including a truly great piece of Beat cinema from 1961, “Night Tide” (starring Dennis Hopper and Linda Lawson), plus our slide show of Greater L.A. area Beat coffeehouses and jazz joints of the late ’50s and early ’60s, along with two primordial shorts from the Venice West Cafe back in the day.

If you’ve never been to the Egyptian Theater, it was the immediate predecessor to Grauman’s Chinese Theater on Hollywood Boulevard. When Sid Grauman opened it in 1922, it had the same elaborate Hollywood flair (it’s gone through a nice rennovation in its current incarnation as the American Cinematheque). This is gonna be a fun night, in the right place, with all the right people, yeh… We are working on some special guests; all three filmakers may very well be there for Q&A, at least. The American Cinematheque’s description below says it better than I can (o.k., I helped write some of it). Thanks for plannin’, and makin’ an evening of it this Friday. We’re gonna have a ball… — Domenic Priore

Friday, March 30, 2007: Egyptian Theatre

The Friday, March 30th program is a 7:30 PM screening of NIGHT TIDE, (1961, 84 min.). Director Curtis Harrington’s debut indie feature is a masterpiece, a haunted, poetic hymn to the dark world of the fly-by-night carnival, lonely midways at dawn and the siren call of eon’s-old passion spawned by the devils of the deep blue sea. In a fond nod to Val Lewton and Jacques Tourneur’s CAT PEOPLE, at-loose-ends sailor Johnny Drake (Dennis Hopper) falls in love with sideshow mermaid, Mora (Linda Lawson) who may just somehow be related to the real thing. Shot in and around Santa Monica and Venice Beach in the beat culture’s heyday, the film continues to exert a strong spell, and is brimming with the heady atmosphere of bygone coffee houses, poet hipsters, languid jazz and bongos on the shore. With Luana Anders, Gavin Muir. “…captures an intangible quality of what Santa Monica was like in the early 60s. Quite apart from Los Angeles, it was a quiet residential community. The funfair pier has just the right air of seedy despair about it. Everyone seems to be living ‘just off’ the mainstream.” – Glenn Erickson, DVD Savant Preceded by the shorts: “Venice In The Sixties” (15 min.) directed by Leland Auslender. Originally shot for a television show and never used, this is essentially a full-color look inside the atmosphere of the Venice West coffeehouse, its various sections, activities and people; “The Beat From Within: Reflections of a Beatnik” (10 min.) Produced by Ralph Morin and directed by Tom Koester, this short covers a day in the life of a Venice beatnik in glorious black ‘n’ white.

Plus, following the screening, Authors Domenic Priore and Brian Chidester (Beatsville, Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood, Dumb Angel #4: All Summer Long) will present a unique one-hour slide show documenting the Beat Generation’s long stretch over the Greater Los Angeles area between 1956 and 1966, via visuals of coffeehouses and jazz joints from the Sunset Strip to Malibu, Venice and Newport Beach. Legendary locations only heard about in books or in liner notes, from the Gas House and nearby Venice West Cafe, to the Unicorn and Shelly’s Manne-Hole in Hollywood, the Lighthouse and Insomniac in Hermosa Beach, then all the way down to Cafe Frankenstein (owned, operated and painted by Burt Shonberg). Arists from John Altoon to Eric “Big Daddy” Nord gave these places a colourful splash, as did the wide variety of Folk singers and poets who performed on their stages.

P.S. Also, a new Dumb Angel blog is at: http://dumbangelmag.blogspot.com/

Van Hamersveld

Endless Summer by Hamersveld

The graphicdesigner who designed the timeless Endless Summer poster for the Bruce Brown movie from 1965.
Here are more 60s works by him.

Go-Go Beach

Don’t misunderstand me – I don’t mean to say this is a great musical. I have only heard one of the songs and had enough.
The reason I had to include Go-Go Beach here is that I once recorded a track called Go-Go Beach! It was on one of my homerecording tapes, that interested parties could get through reviews in Pipeline and New Gandy Dancer, around 1990. In the track I tried to get some of the spirit of the Manchester bands like the Charlatans and Stone Roses coupled with instrumental guitar work.
When The Looney Tunes Band started, I stopped this tape thing. But somehow I remembered the track after the band broke up (the drummer wanted to include electronics, but I did not want the Loonies to change in that direction). Go-Go Beach then turned into Gogo Sitar and was the first track I did with my modified ES335 copy, homemade electric sitar.

So, there’s no connection for me with that musical, other than the coincidental naming. If you didn’t care for such information, you wouldn’t have read so far, would you?

Scotty Moore’s Original Amp Cabinet on Ebay

Elvis’s first guitar player Scooty Moore had a costum made amplifier in the 50s that had a built in echo unit, the cabinet of this very amp is now for auction at eBay.

quote from eBay page:

The original Echosonic guitar cabinet used on most all the live and studio guitar work during Elvis Presley’s career (1955-1957).

You can hear it on all the hits from the early years including: Mystery Train, That’s All Right, Heartbreak Hotel, Blue Suede Shoes, Hound Dog, Don’t Be Cruel, Love Me Tender, All Shook Up, and more.

The Echosonic was designed and hand-built by Ray Butts. While only 68 ever being built, the Echosonic found a unique place in history with a built-in tape echo (loop) unit. …

Scotty’s amp