Eddie Bertrand Signed Longboard!
Kiribati Island Nation Considers Moving Entire Population to Fiji to Escape Climate Change | Inhabitat – Green Design Will Save the World
Trends in Global Temperature: Appendix
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Temperature record – Wikipedia, the free encyclopedia
Global warming already claiming Micronesia islets
The Saipan Blog: Micronesia to Obama: Follow our Lead
Scholastic scientists ignore Thor Heyerdahl’s publications to the point of constant embarassment. For example the sewn plank canoe mentioned in this article is found along the way from the Pacific Northwest to Hawaii, Micronesia, Melanesia and New Zealand. These places surround a natural ocean route, described by Heyerdahl in the 1950s. Many ethnical and cultural evidences can be found of contact with pacific indians and polynesian people. And I would expect excactly that from people populating almost every significant island in the polynesian triangle. Why should they stop there? The Americas are hard to miss once you enter the Japan current. Remember Johnny Depp drifting out in a canoe at the end of Dead Man? If redwood lumber was taken to Hawaii by stream, why not canoes of coastal settlers? Maybe the occasional dead Northwestern indian’s canoe landed in Hawai’i front tip first – they would have regarded him a god! Hawaiki!
Did ancient Polynesians visit California? Maybe so. Scholars revive idea using linguistic ties, Indian headdress Keay Davidson, Chronicle Science Writer Monday, June 20, 2005 Scientists are taking a new look at an old and controversial idea: that ancient Polynesians sailed to Southern California a millennium before Christopher Columbus landed on the East Coast.Key new evidence comes from two directions. The first involves revised carbon-dating of an ancient ceremonial headdress used by Southern California’s Chumash Indians. The second involves research by two California scientists who suggest that a Chumash word for ‘sewn-plank canoe’ is derived from a Polynesian word for the wood used to construct the same boat.
Friday, July 6 – 7:30 PM
Hawaii, 1966, MGM Repertory, 161 min.
Director George Roy Hill’s (Throughly Modern Millie) adaptation of James Michener’s sprawling South Seas epic was nominated for seven Academy Awards, including Best Cinematography (Russell Harlan) and Best Music Score (Elmer Bernstein). Max Von Sydow is the puritanical missionary who marries disappointed-in-love Julie Andrews just before they set sail to do the Lord’s work in the early 19th century island paradise. But they get more than they bargained for, squeezed between an onslaught of natural disasters and strange native customs. Their Calvinist devotion to a fire-and-brimstone worldview clashes head-on with the uninhibited, Dionysian headiness of the tropical lifestyle. With Richard Harris as Andrews’ former flame, Gene Hackman, Carroll O’Conner, Jocelyne LaGarde (who received an Oscar nomination for Best Supporting Actress).
Saturday, July 7 – 4:00 PM
Rare Tiki Island-Themed TV
Approx. 60 min. Artist Kevin Kidney hosts an entertaining hour of vintage tiki-themed television from the early 1960s – including some special surprises! *Tickets available to this program at the door only UNLESS purchased with the Luau Dinner ($20).
Saturday, July 7 – 5:00 PM
Luau Dinner
Following the 4 PM program, join us in the Egyptian Courtyard at 5 PM for a Royal Southern California-style Luau with live music from King Kukelele and his Friki Tikis, the Polynesian Paradise Dancers, vendors and a bountiful island-themed dinner.
On Saturday, July 7th, you have three special ticket price options:
Movies Only (valid for all movies on Saturday only):
General: $12; Senior/Student: $10; Cinematheque Member: $9
Luau Dinner Only: $20 (includes film admission for 4 PM show and dinner.)
All Movies (4 PM and 7:30 PM Movies), plus the Luau Dinner:
General: $27; Senior/Student: $25; Cinematheque Member: $24
*A limited number of dinners will be sold at the door. To guarantee a dinner ticket please purchase in advance.
Vendors in the Courtyard may include: Tiki Tony, Adrift Clothing, Crazy Al’s Bone Productions, “Dumb Angel” Magazine authors Dominic Priore and Brian Chidister, Tiki Diablo, Falling Cocos, Coconut Kids Clothing, Tiki Farm, the American Cinematheque selling poster and others…
Saturday, July 7 – 7:30 PM
Double Feature:
The Sophisticated Misfit, 2007, Smee Entertainment, 65 min.
Mark Chervinsky directed this four-year exploration of the world of Shag, the unlikeliest of Los Angeles artistic icons. Shag’s work doesn’t reflect the multicultural urban milieu of contemporary Los Angeles but rather an entirely different era. Think post-WWII boom years, suburban tracts sprawling across the landscape, Disneyland opening its doors and designers embracing the space-age motifs of Sputnik and the mission to the moon. Shag’s world is one of early 1960’s furniture, cocktail hours, sprawling ranch houses, built-in wet bars, and jet-set style. He embraces a simpler time. But his artwork is filled with subtle, humorous winks of the eye acknowledging that this period wasn’t quite so simple. The smiling women in their mod dresses hold secrets. The festive party scene in the go-go ’60’s home isn’t really what it seems. With Whoopi Goldberg, Patton Oswalt, Paul Frank and Shag. Winner of the Maverick Filmmaker Award at the 2007 Newport Beach Film Festival.
His Majesty O’Keefe, 1954, Warner Bros., 91 min.
Director Byron Haskin (THE NAKED JUNGLE; the original WAR OF THE WORLDS) brings a bracing exuberance to this tall tale of stranded-in-Micronesia sea captain Burt Lancaster’s quest to manipulate his native hosts into helping him build a trading empire. Joan Rice is the enchanting island girl who ends up being queen to his king. The spectacular Fiji Islands locations were stunningly photographed by the great cinematographer Otto Heller (THE CRIMSON PIRATE). Co-starring Andre Morell, Abraham Sofaer, Benson Fong. “…This swashbuckling South Seas adventure feature is ideally suited to Burt Lancaster’s muscular heroics. The Fiji Islands location lensing is a plus…” — Variety Discussion in between films with Shag and director Mark Chervinsky.
Sunday, July 8 – 7:30 PM
Miss Sadie Thompson, 1953, Sony Repertory, 91 min. Dir. Curtis Bernhardt (Possessed).
After having to leave Hawaii when her Honolulu singing job goes kaput, hard-luck dame Sadie Thompson (Rita Hayworth) is stranded on the isle of Samoa which is home to a U.S. Army base. She’s befriended by well-meaning, lovable GI hunk Aldo Ray as well as his soldier pals (including a young Charles Bronson). But dirty-minded lay minister and self-righteous gadabout Jose Ferrer, laying over with his wife on a trip, believes she is nothing more than a common prostitute and is offended by her presence. He takes it upon himself to make Sadie’s life a living hell until he can get her deported back to the States. Although Rita’s singing voice was dubbed by Jo Ann Greer, you would never know it during the musical numbers – she is positively dynamite performing “Hear No Evil,” “The Heat Is On,” and “Blue Pacific Blues.” Originally shot in 3-D, this is a terrific color remake of W. Somerset Maugham’s classic tale Miss Thompson, first filmed in 1932 as RAIN by director Lewis Milestone with Joan Crawford.
