Wassermusik, Part III

I really enjoyed Boom Pam. The Klezmer influence has been displayed by Meshugga Beach Party from San Francisco, but they don’t have a tuba like Boom Pam has! A very enjoyable set, really, really good players, too.

I’ve seen the Bambi Molesters a couple of years ago when they still toured and had the other bassplayer. You can’t escape the dense atmosphere they create and have a really great guitar sound while doing so. They choose fitting covers and have written many beautiful originals. I don’t recall them playing so much on the edge of distortion like yesterday. The albums sure sounded cleaner, but it worked well with the audience the way they did it now.

This Sunset Strip Summer

Domenic Priore writes:

O.k., lots of fun stuff to think about, and to do: I’ve set it up so that if you live anywhere near New York, San Francisco or Los Angeles, there will be a ‘Riot on Sunset Strip Film Festival’ near you. Please check out:http://dumbangelmag.blogspot.com/

There’s lots of cool pictures here as well, and a link to watch Lloyd Bridges driving ‘The Silhouette’ for a couple of minutes… along with some groovy Love, and Brian Wilson ‘Smile’ stuff.

In L.A., I’m doing a ‘Beatnik Sunset Strip’ slide show at Skylight Books in Los Feliz, Thursday, June 26 (free), then the following Sunday (June 29), will be hosting two documentaries at The American Cinematheque’s Egyptian Theater… the Love documentary Love Story, and one on jazz vibraphonist/arranger Gary McFarland This is Gary McFarland. Both events start at 7 p.m.

In New York, it will be the ‘Riot on Sunset Strip Film Series,’ over two months of midnight movies at The IFC Center in Greenwich Village, each weekend starting July 25.

In San Francisco, The Red Vic Movie House on Haight Street will feature the ‘Riot on Sunset Strip Weekend’ featuring Riot on Sunset Strip, The Trip, You Are What You Eat and the Love documentary Love Story. This will happen August 28 through 31st.

So, have a look, it’s an easy thing to peruse, and a lot of fun this summer to come from it. …

Guitar Geek Festival

Guitar Geek Festival

Deke’s 5th Annual Guitar Geek Festival

Saturday, January 19, 2008

Jolly Roger Hotel Ballroom (amazing 1960s pirate-themed ballroom!)
640 W. Katella (at Harbor), Anaheim, California
Only one block from the NAMM show/Convention Center!
Doors at 3 p.m., show starts at 4 p.m. sharp!
All ages welcome (must be 21 to drink)
$35 advance / $40 at the door / $35 with NAMM pass
Advance Ticket $35

Featuring:

The Collins Kids: Larry and Lorrie!
Straight from the stage of ‘Town Hall Party’ we present Larry and Lorrie Collins in their first Southern California appearance in 15 years, and their first show in Anaheim in decades! Singing their big hits ‘Mercy,’ ‘Rock Boppin’ Baby,’ ‘Let’s Have A Party,’ ‘Whistle Bait,’ and others, the show also includes Larry Collins playing the snot out of his double- neck Mosrite on such tunes as ‘Rockin’ Gypsy’ and ‘Hurricane!’ Larry and Lorrie never fail to put on an amazing show, and this will be the most exciting Guitar Geek Festival headlining act yet!

Teisco Del Rey: King of the Guitorgan
Featuring Paul ‘Mr. Moto’ Johnson! Many remember Teisco Del Rey as the columnist for Guitar Player magazine for many years. Others remember him from his astounding instrumental albums, where he tackled everything from surf to soul, channeling the spirit of Duane Eddy. Yet others will remember him as the only man in the last 3 decades to seriously play the ‘Guitorgan’! All this and more will be revealed in Teisco Del Rey’s first-ever Southern California live appearance, with an all- star band featuring Paul Johnson of the Bel-Airs (who came and rocked his song ‘Mr. Moto’ at last year’s fest!), Steve Soest from The Torquays, and Pete Curry of the Halibuts and Los Straitjackets! A set not to be missed.

Deke Dickerson & Crazy Joe: Twin Guitar Special!
Your host teams up with the king of nerdabilly from Enon, Ohio, in a special set of guitar duets! This will NOT be two guys sitting down with a couple of acoustic guitars. This set promises to be extreme and dangerous!

Brian Lonbeck: the Barn Burner of Bakersfield!
In a dangerous attempt to see how many Mosrite doubleneck players we can fit onto the bill, we bring back perennial favorite Brian Lonbeck of Bakersfield to tear down the house with more Maphis-inspired mayhem!

Maestro Alex Gregory: Maestro of the Heavy Metal Mandolin!
If you haven’t heard of this guy, look up his name on the internet. What you see with your own eyes will still be hard to believe! The English-born Gregory was given the title ‘Maestro’ by Queen Elizabeth’s government in 1983. After years of studying classical music, he entered the field of rock, where he has mastered such inventions as the seven-string guitar (Gregory holds two patents on the seven- string guitar!) and the electric mandolin. His most recent CD shows him holding an electric mandolin while urinating on the graves of Steve Vai and Yngvie Malmsteen! This will without a doubt prove an interesting set!

Junior Watson: Southern California Blues King!
We’re excited to get ‘Junior’ Watson on the Guitar Geek Festival bill. Junior has been playing around Southern California for the last three decades, first as a founding member of the Mighty Flyers with Rod Piazza, then as a ten-year member of Canned Heat. Since then he’s played with just about everybody in the blues world and has amassed a cult following as the blues cat with THE TONE!!!!

The ‘All-Bigsby Band!’: Featuring Jeremy Wakefield & T.K. Smith!
It is rare to see an instrument made by Paul A. Bigsby, inventor of the Bigsby vibrato. Many people know that Bigsby was an important instrument maker who invented the first modern solidbody electric guitar for Merle Travis, but most have never seen one of these instruments in person! For one evening we will have a band on stage playing exclusively instruments made by Bigsby. The band will be led by festival stalwarts Jeremy ‘J.W.’ Wakefield on steel guitar and ‘T.K.’ Smith on electric guitar, along with a slew of other older and younger players–all living Bigsby owners have been invited to participate! This will be a photo opportunity never to be repeated again! Several vintage guitar dealers have already been rushed to the hospital!

Lester Peabody With Special Guest Marti Brom!
Hailing from Finland, Lester Peabody is a double threat to be reckoned with–not only as a great Chet-styled finger picker on the guitar, but also as a great steel guitar player! Bonus for all the lonely guitar fans will be an appearance by sultry-voiced Texas singer Marti Brom, who will sing a number or two with Lester on his great set!

James Calvin Wilsey: The Guitar Behind Chris Isaak!
Jimmy Wilsey has an impressive resume. Not only is he the guitarist who played on Chris Isaak’s breakout hit ‘Wicked Game,’ with its haunting atmospheric guitar parts, but he was also in the seminal punk band the Avengers, who can actually claim to have shared a bill with the Sex Pistols at their very last show at the Cow Palace in San Francisco in 1978! Jimmy Wilsey has a brand-new band called Wilsey and a new album out, and they will be showcasing their exciting brand of tunes at the Guitar Geek Festival!

Opening Set: Breakout Talent Showcase!
The most difficult thing about putting together the Guitar Geek Festival each year is that we have so much phenomenal talent and not enough time to get everybody involved. So this year, a bunch of great guitarists will get the evening rolling with one tune each! Guaranteed you’ll want to be there from the opening bell, as these guitarists are every bit as talented as our featured acts!

All ages (must be 21 to drink)!
Full bar available!
Booths from Hallmark, TNM Custom, and more!
Deke’s Amazing Guitar Museum with a special Bigsby exhibit!
DJ Dan Moses!
Guitar Raffle courtesy Fender/Gretsch guitars!
$35 advance / $40 at the door / $35 with NAMM pass
This is an Early Show! Doors open at 3 p.m., show starts at 4 p.m. sharp!

Jolly Roger Hotel Ballroom (amazing 1960s pirate-themed ballroom!)
640 W. Katella (at Harbor), Anaheim, California
Only one block from the NAMM show/Convention Center!

I would go there – if it was anywhere near. He should do a world tour, and fill up the line-up with local acts like Ladi Geisler in Hamburg, and Bert Weedon and Judd Proctor in England.

Griffin Lecture Series

Sunday, August 19, 2007 – 1:00 p.m.
Typographical Transcendence: Tales from the Griffin Vault

Carl Rohrs, artist and instructor at Cabrillo College, discusses Griffin’s unique contribution to graphic design featuring rarely seen works by the artist.

Beatnik Beach Film Night at the Egyptian Theater

beats

Domenic Priore from Dumb Angel writes:

(It’s all about the ocean, mannnnnnn…… — Dom)

It’s been a while since I contacted everyone about a blog or somethin’ cool, but this time, it’s for real….

Dig, The American Cinematheque at the Egyptian Theater is letting us do our “Beatnik Beach Film Night” this Friday night. We did one last summer at Sponto Gallery in Venice, then in December we brought it to the Roxie Theater in San Francisco. Now, everybody’s been asking us for months to “do this in town” (Venice is a long haul for most of you), so we’re doin’ it up right then, and including a truly great piece of Beat cinema from 1961, “Night Tide” (starring Dennis Hopper and Linda Lawson), plus our slide show of Greater L.A. area Beat coffeehouses and jazz joints of the late ’50s and early ’60s, along with two primordial shorts from the Venice West Cafe back in the day.

If you’ve never been to the Egyptian Theater, it was the immediate predecessor to Grauman’s Chinese Theater on Hollywood Boulevard. When Sid Grauman opened it in 1922, it had the same elaborate Hollywood flair (it’s gone through a nice rennovation in its current incarnation as the American Cinematheque). This is gonna be a fun night, in the right place, with all the right people, yeh… We are working on some special guests; all three filmakers may very well be there for Q&A, at least. The American Cinematheque’s description below says it better than I can (o.k., I helped write some of it). Thanks for plannin’, and makin’ an evening of it this Friday. We’re gonna have a ball… — Domenic Priore

Friday, March 30, 2007: Egyptian Theatre

The Friday, March 30th program is a 7:30 PM screening of NIGHT TIDE, (1961, 84 min.). Director Curtis Harrington’s debut indie feature is a masterpiece, a haunted, poetic hymn to the dark world of the fly-by-night carnival, lonely midways at dawn and the siren call of eon’s-old passion spawned by the devils of the deep blue sea. In a fond nod to Val Lewton and Jacques Tourneur’s CAT PEOPLE, at-loose-ends sailor Johnny Drake (Dennis Hopper) falls in love with sideshow mermaid, Mora (Linda Lawson) who may just somehow be related to the real thing. Shot in and around Santa Monica and Venice Beach in the beat culture’s heyday, the film continues to exert a strong spell, and is brimming with the heady atmosphere of bygone coffee houses, poet hipsters, languid jazz and bongos on the shore. With Luana Anders, Gavin Muir. “…captures an intangible quality of what Santa Monica was like in the early 60s. Quite apart from Los Angeles, it was a quiet residential community. The funfair pier has just the right air of seedy despair about it. Everyone seems to be living ‘just off’ the mainstream.” – Glenn Erickson, DVD Savant Preceded by the shorts: “Venice In The Sixties” (15 min.) directed by Leland Auslender. Originally shot for a television show and never used, this is essentially a full-color look inside the atmosphere of the Venice West coffeehouse, its various sections, activities and people; “The Beat From Within: Reflections of a Beatnik” (10 min.) Produced by Ralph Morin and directed by Tom Koester, this short covers a day in the life of a Venice beatnik in glorious black ‘n’ white.

Plus, following the screening, Authors Domenic Priore and Brian Chidester (Beatsville, Riot on Sunset Strip: Rock ‘n’ Roll’s Last Stand in Hollywood, Dumb Angel #4: All Summer Long) will present a unique one-hour slide show documenting the Beat Generation’s long stretch over the Greater Los Angeles area between 1956 and 1966, via visuals of coffeehouses and jazz joints from the Sunset Strip to Malibu, Venice and Newport Beach. Legendary locations only heard about in books or in liner notes, from the Gas House and nearby Venice West Cafe, to the Unicorn and Shelly’s Manne-Hole in Hollywood, the Lighthouse and Insomniac in Hermosa Beach, then all the way down to Cafe Frankenstein (owned, operated and painted by Burt Shonberg). Arists from John Altoon to Eric “Big Daddy” Nord gave these places a colourful splash, as did the wide variety of Folk singers and poets who performed on their stages.

P.S. Also, a new Dumb Angel blog is at: http://dumbangelmag.blogspot.com/

Rock Hall Voting Scandal (MySpace Bulletin Repost)

This interesting Bulletin came thru this morning on MySpace:

Rock Hall Voting Scandal: Rock Group Actually Won

According to sources knowledgeable about the mysterious ways of the Rock and Roll Hall of Fame Foundation, British Invasion group The Dave Clark Five and not Grandmaster Flash finished fifth in the final voting of the nominating committee and should have been inducted on Monday night.

According to sources, Rolling Stone publisher Jann Wenner, who recently appointed himself chairman of the Foundation after the death of Ahmet Ertegun, ignored the final voting and chose Grandmaster Flash over the DC5 for this year’s ceremony.

“Jann went back to a previous ballot instead of taking the final vote as the last word,” my source insisted. “He used a technicality about the day votes were due in. In reality, The Dave Clark Five got six more votes than Grandmaster Flash. But he felt we couldn’t go another year without a rap act.”

R.E.M.
, Van Halen, The Ronettes and Patti Smith were the top four vote-getters, with Grandmaster Flash finishing fifth when the votes were counted on the first date ballots were due in to the Rock Hall office.

But when all the ballots were counted a few days later, the DC5 had pulled ahead. Wenner decided to ignore that and stick with the earlier tally.

“We begged Jann to allow all six acts to be inducted. But he insisted that he couldn’t because there wouldn’t be enough time,” my source said. “He wanted to have Aretha Franklin come and perform in memory of Ahmet Ertegun.”

The Ertegun tribute, while very nice, was deemed unnecessary by members of the main committee because the Atlantic Records co-founder will be memorialized in New York on April 17.

“But Jann wanted to do his own tribute. It was insane, especially since he took over Ahmet’s position on the board before Ahmet even had a memorial. Jann simply sent papers around informing everyone that he was now the chairman,” my source said.

The Dave Clark Five ballot tampering, however, stings the most. The group, part of the British Invasion of the ’60s, should have been inducted long ago for their hits like “Glad All Over,” “Bits & Pieces” and “Catch Me If You Can.” Making them wait has turned out to be a huge mistake, as their fortunes have not been great.

In December 2006, sax player Denis Payton succumbed to cancer at age 63. Lead singer Mike Smith has been paralyzed since 2003 after falling off a ladder at his home in Spain.

In August 2005, a terrific fundraising effort for Smith at B.B. King’s in New York was supposed to be the prelude to finally recognizing the group that had several memorable hits in the mid-’60s.

Wenner’s cruel axing of them from the show and the Hall of Fame should be painful to many who are intimately involved with the Hall, like Paul Shaffer, who runs the Hall of Fame band and produced and emceed the Smith tribute.

So what happened here? My sources also say that Wenner’s motivation may have sprung from a controversial speech that was delivered by new administrative head Joel Peresman to the nominating committee last winter.

“He stood up there and told us that we should vote for who we thought would be most commercial, and who be best on the TV show,” a source said. “It was outrageous. Some people tried to stop him and asked him to leave, but he wouldn’t. He said, ‘I’m not leaving.’ The director is never supposed to speak to the nominating committee.”

Peresman came to the Rock and Roll Hall of Fame Foundation last year when Wenner arbitrarily ousted the long-time chief of the group, Suzan Evans Hochberg, after two decades of loyalty.

“We couldn’t believe Jann stood up there last night and said Suzan was retiring. But when the seating plan went crazy the other day, Jann called and begged her to come in and help. Peresman knows nothing about the business,” a source said.

Peresman came to the Foundation from gigs booking shows at Madison Square Garden and with Clear Channel, the radio giant that many feel has strangled the music business with intransigent radio play policies and suggestions — actually, government investigations — of payola.

In the old days, such a hire would have been considered anathema by Wenner.

None of this should come as any surprise to those who have followed the roller-coaster world of the Rock Hall. According to the group’s most recent tax filing, for example, they gave only $9,000 to indigent musicians from their $11 million in holdings.

Even worse: Wenner sent a tax-free $10,000 to something called Jazz Casuals in San Francisco. It’s really just the archives of Ralph J. Gleason, the late jazz writer who periodically wrote for Rolling Stone in its early days. It was the only donation made by the Foundation to any group last year.

“Again, outrageous,” a source said. “With all of Jann’s money, he could have just sent a check. He didn’t need to use the Foundation’s money.”

By contrast, the Foundation gave only $53,000 to the Rock and Roll Hall of Fame Museum in Cleveland. Attorney Allen Grubman’s law firm took another $50,000 for legal services rendered. Evans received her usual $300,000 salary. Peresman is said to be receiving even more.

And then there’s the matter of who has left on the nominating committee. I’m told that nearly half the group is gone, leaving 32 members. Many of the remaining members are former or current Wenner employees, like Rolling Stone’s Nathan Brackett, David Fricke, Jim Henke, Joe Levy, Brian Keizer and Anthony DeCurtis.

Jon Landau, Bruce Springsteen‘s manager and a former Rolling Stone writer, is the chairman of the committee and considered the last truly mediating influence on Wenner.

There are only three actual musicians: Paul Shaffer, Steven van Zandt and Robbie Robertson. Three are female. One of them is black. There are only two other black members: journalist Toure and Reginald C. Dennis

Wenner, I’m told, “weeded out everyone he didn’t like.” He even got rid of the veteran New York Post and Vanity Fair writer Lisa Robinson.

Wenner almost bumped Claudia Perry, a Newark Star Ledger sports writer and former pop music critic. After a scuffle, she managed to hang on, which was good news. As a black woman she fulfilled two minorities on the board (Edna Gundersen and Elyssa Gardner of USA Today are the other females).

“This is the opposite of what Ahmet would have wanted,” a source said. “He liked a big committee that reflected lots of different tastes.”

Beatnik Beach Film Night

This I found today at Dumb Angel Gazette:
quote from site

Thursday, December 7, 2007. 7:00-11:00 p.m.
Roxie Cinema, 3117 16th Street at Valencia, Mission District, San Francisco, California

Authors Domenic Priore and Brian Chidester (Beatsville, Smile: The Story of Brian Wilson’s Lost Masterpiece, Dumb Angel #4: All Summer Long) will present a unique one-hour slide show documenting the Beat Generation’s long stretch over the Greater Los Angeles area between 1956 and 1966, via visuals of coffeehouses and Jazz joints from the Sunset Strip to Malibu, Venice and Newport Beach.

Legendary locations only heard about in books or in liner notes, from the Gas House and nearby Venice West, to the Unicorn and Shelly’s Manne-Hole in Hollywood, the Lighthouse and Insomniac Cafe in Hermosa Beach, then all the way down to Cafe Frankenstein (owned, operated and painted by Burt Shonberg) in Laguna Beach.

Artists from John Altoon to Eric ‘Big Daddy’ Nord gave these places a colourful splash, as did the wide variety of Folk singers and poets who performed on their stages. Accompanying the slideshow will be a rare screening of Dirty Feet (1965), shot primarily at the Prison of Socrates coffeehouse in Balboa. Special guest speakers TBA, there will be another short Beat film or two (including a color one shot inside Venice West), plus a few new routines by San Francisco’s own Devil-Ettes to jazz the room.