Thorough history of the place where Jon & The Nightrider recorded thunderous landmark album.
Another legend gone. So shortly after Randy Nauert of The Challengers, Michel Legrand (The Thomas Crown Affair) and André Previn. The Guardian did the best thing they could and collected some of his most famous recordings in a tribute.
Here he’s opening The Ronettes’ Be My Baby at Gold Star Recordings in Los Angeles 1963.
Oh no – just reading about the passing of former Challengers bassist Randy Nauert. This is depressing, especially learning about his mis-fortune over the last months.
Very nice and compact analysis about the Italian western soundtracks recorded between the mid 60s and the mid 70s. My only criticism would be that the presenter is furthering the “alternative fact” that The Shadows recorded Surf Music. I’m not linking to the English wikipedia for the same reason.
How’s this for fusion? Here we have The Sachal Studios Orchestra, based in Lahore, Pakistan, playing an innovative cover of “Take Five,” the jazz standard written by Paul Desmond and originally performed by The Dave Brubeck Quartet in 1959.
In ‘Sweet Little Sixteen,’ ‘You Can’t Catch Me’ and other songs, Mr. Berry invented rock as a music of teenage wishes fulfilled and good times (even with cops in pursuit). In ‘Promised Land,’ ‘Too Much Monkey Business’ and ‘Brown Eyed Handsome Man,’ he celebrated and satirized America’s opportunities and class tensions. His rock ’n’ roll was a music of joyful lusts, laughed-off tensions and gleefully shattered icons.