From Wrecking Crew News:

Hi Wrecking Crew supporters!

After playing to great response at SXSW, Buffalo, Nashville and Seattle Film Festivals (see reviews), we are thrilled to announce that ‘The Wrecking Crew’ documentary will have it’s Los Angeles premiere on June 28th, 2008. The film will play under the banner “Movies That Matter” as part of the Grand Performances Program in downtown LA at 350 S.Grand. Ave.

This is a free, outdoor festival-style screening under the stars. You can bring a picnic, deck chairs, blankets and even white wine, they don’t allow red wine as it can stain the granite in the Festival area. If a picnic is not your speed, there are some great restaurants in the area. Even though tickets are free, please make sure you allow yourself plenty of time to eat and find a place to sit. Don’t forget a chair or blanket.

We are also very honored to announce that the presentation of the film will be followed by a live performance by Wrecking Crew alumni Hal Blaine (drums), Carol Kaye (electric bass), Don Randi (piano) and Chuck Berghofer (upright bass). Vocals by Julia Fordham and other guest aritsts.

Please Help Us Spread The Word. Its Very Important That Musicians And Music Lovers Know Of This Event. Thanks For Your Support.

I wrote a bout the Wrecking Crew movie here earlier.

A big article and interview on Brian Wilson in the Washington Post.
(through the exotica mailing list)

The Beach Boy’s Hymns to the Dream State of California Belied The Nightmare He Was Living

By J. Freedom du Lac
Washington Post Staff Writer Sunday, December 2, 2007; Page M01
LOS ANGELES — Brian Wilson still hears voices.
They stalk him sometimes when he’s on the concert stage, bedeviling him from inside his head. They ridicule and threaten the original Beach Boy, backing him into dark corners that don’t exist. Watch closely, says his wife, Melinda, and you can tell when Wilson’s schizoaffective disorder is having its way. His eyes become distant and glazed. Another auditory hallucination…

full article at washingtonpost.com

I read it here, at the blog of the San Onofre Surfing Club. His name was Les Williams. I never knew who was the surfer on the Beach Boys Surfin’ USA album cover, but it’s a great shot with style on a considerably sized wave. A big wave. The album is among my favorite Beach Boys albums, and even pure instrumental Surf fans should know it.

One of the great Los Angeles session men, he played drums on countless hit records, as well as some of the best instrumental studio productions of the sixties. Here’s the Official Hal Blaine Website

here’s his drumming on iTunes

This I found today at Dumb Angel Gazette:
quote from site

Thursday, December 7, 2007. 7:00-11:00 p.m.
Roxie Cinema, 3117 16th Street at Valencia, Mission District, San Francisco, California

Authors Domenic Priore and Brian Chidester (Beatsville, Smile: The Story of Brian Wilson’s Lost Masterpiece, Dumb Angel #4: All Summer Long) will present a unique one-hour slide show documenting the Beat Generation’s long stretch over the Greater Los Angeles area between 1956 and 1966, via visuals of coffeehouses and Jazz joints from the Sunset Strip to Malibu, Venice and Newport Beach.

Legendary locations only heard about in books or in liner notes, from the Gas House and nearby Venice West, to the Unicorn and Shelly’s Manne-Hole in Hollywood, the Lighthouse and Insomniac Cafe in Hermosa Beach, then all the way down to Cafe Frankenstein (owned, operated and painted by Burt Shonberg) in Laguna Beach.

Artists from John Altoon to Eric ‘Big Daddy’ Nord gave these places a colourful splash, as did the wide variety of Folk singers and poets who performed on their stages. Accompanying the slideshow will be a rare screening of Dirty Feet (1965), shot primarily at the Prison of Socrates coffeehouse in Balboa. Special guest speakers TBA, there will be another short Beat film or two (including a color one shot inside Venice West), plus a few new routines by San Francisco’s own Devil-Ettes to jazz the room.