The unit of survival is organism plus environment. We are learning by bitter experience that the organism which destroys its environment destroys itself. – Gregory Bateson
The TCA isn’t done with their toll road through Trestles yet. They’ve successfully appealed to the US Fish And Wildlife Service to reject the findings of the Coastal Commission. There is some insight into how the agency has been infiltrated by capitalistic pigs on the erBB. Keep fighting.
70percent.org » Blog Archive » The TCA Thinks You Are Lazy And Powerless
I could have played all night, the audience was great, but since the public transportation was going on strike in the morning people made the effort to catch the last rides. This list is not in the correct order, I will find a way to ensure the correct posting order for my next playlist.
La Mer d’Hawaii – Die Gitarros
Sake Rock – Martin Denny
Blue Rain – The Islanders
Beach Boy – Martha Shanklin
On Your Marks – Santo & Johnny
Sansar Ki Har Shae – Van Shipley
Phantoma – The Silver Bullets
Beauty Hula – Ray Kinney and his Famous Hawaiian Orchestra
55 Days of Peking – Rob-E. G.
Atlantis – Norrie Paramor and his Orchestra
Rosarita Surf – Jerry Cole
Hero – Kai Winding
Taboo – The Keymen
Main Title From: Ride The Wild Surf – The Astronauts
Volare – Santo & Johnny
Adios – Xavier Cugat
He Ain’t Heavy… He’s My Brother – Basil Henriques and the Waikiki Islanders
Perfidia – Xavier Cugat
Spooky – Santo & Johnny
Rockambo Baby – Tarragano & his Orchestra
Tequila – Lloyd Lindroth
The Twist – The Parleys
La Paloma – Ken James
Hawaii Five-O – Roberto Delgado
Doin’ The Cha Cha Cha – Preston Epps
Caribbean Nights – Arthur Lyman
Staccato – The Eliminators
I also played a track by The Stylers and The Melodians (Maurice Patton) each, but don’t know the titles since they are set in chinese on the covers and labels.
It was really great to see hawaiian slack-key master Harry Koizumi, with his traditional hawaiian music. Very beautiful. Berlin Surf-band Space Dog showed much potential. They rocked so well towards the end. They just need to hit the stage more often.
KAHULUI, Maui — Renowned surfer Woodbridge Parker “Woody” Brown died Wednesday at Hale Makua, Kahului. He was 96. … “He was the essential surfer, an iconoclast: extremely independent, futuristic and, most especially, healthy — which explains why he lived for 96 very productive, wonderful years,” said Hemmings, the 1968 world surfing champion who inaugurated the world professional surfing circuit in 1975. “… I only hope more of us who call ourselves surfers can live the way Woody lived. … Brown, who surfed regularly until he was 90, rubbed shoulders with Charles Lindbergh, Duke Kahanamoku and old Hawaiians who lived the life of a former era, he said. …
Hawaii 1963. A guy walks down to the shore with his red 5′ board in hand, paddles out and catches some waves. And rides them well, like he does so every day. A shortboard! In 1963! OK, it’s a paipo board which is usually ridden on the belly. It’s radical! Check out how close he rides to the wall towards the end. His body english is very relaxed there. Phew!
Legendary Surfers highly recommends this. So I’m sure this is a good read. If you don’t know who Miki Dora was you haven’t seen many sixties surf films. He was one of the original Malibu locals until he was so pissed off by the crowds that he left to tour the world. He worked as a stuntman in the Beach Party movies. He was not known for riding big surf, but he would do it, like in Ride The Wild Surf. If I remember correctly, there are rides from that season in Endless Summer. Of course he’s also featured at Malibu in that film, were he displays his perfect command of that classic California right hand pointbreak. When I mixed the first Surf me Up, Scotty! album, they sent me a short audio clip of Miki Dora talking on the beach, to mix it under the music. Where they found it I have no idea.
This is another beautiful trailer for a new surf video. I like the unusual and extreme choice of boards ridden and the impressionistic piano music. It works very nice, and casts yet another light on surfing. Very, very nice
Let me add that they are so dark for a reason: they will drop way into the background, you still see enough details. It’s like wearing shades, dig? The size is 1280×1024 pixels.
Flickr: Photos & Video from Mr. Miff
You can also get my surf music related (partly) desktop icons here.
Great to see this kind of historic footage come up. Makes me wonder what other pioneering locals captured on super 8.
Along with Biarritz in France, Newquay in Cornwall was one of surfing’s first footholds in Europe. Believe it or not, but lifeguards on the northsea island of Sylt surfed by that time as well. Getting boards from France and one guy making a surf trip to Cornwall, about the time this video was shot.
Structure I would have a Jazzmaster body made from mahagony with maple-top. A Mosrite/Gretsch scale, set neck, maple with ebony fretboard (Mosrite radius). The neck-profile copied from my e-sitar. Neck-binding, zero-fret and the smallest frets available (Framus NOS?) I probably would have a Bigsby instead of the jm-vibrato, but the jm-bridge. These appointments are based mostly on one of my all-time favorite guitars, the 1975 Gretsch Country Rok, which I sold long ago.
Electronics For pick-ups I would have three Novak Fender XII replicas. Jaguar style three on/off switches (rather than the Stratocaster switch in the pic) The rhythm circuit to give additional pu-combinations, since the 3 pups have two coils each. Maybe like this: upper-bout switch turns on north of bridge, south of neck, but not breaking the main selector circuit. The outside coils should be humcancelling and hollow like a Jazzmaster. I just love the sound of the Fender XII, which I used on Wild Action (Modern Sounds of The Looney Tunes Band). The pick-ups are not as thin as DeArmond single coils, and not as fat as Supertrons. More like Jaguar ones, but hum-cancelling.
Cosmetics Color: ocean turquoise with matching headstock and gold hardware, Kluson-style tuners. Pickguard either gold-aluminium or vintage white. I wanted a gold guard guitar ever since I got The Wildest Guitar by Mickey Baker. I never had a blue-ish guitar before. It looks so green because I chose the aged look in the dressing room. The finish is bluer when new. It looks fancy, I see that. But it’s supposed to be a custom, they have to look fancy!