The unit of survival is organism plus environment. We are learning by bitter experience that the organism which destroys its environment destroys itself. – Gregory Bateson
I knew about this big back-catalogue re-issue being planned before, but I somehow never could view the web-page until now.
Arthur Lyman died a couple of years ago, and it was a great loss to the people into Exotica and Tiki as he was still performing. He used to play with Martin Denny before he ventured out with his own group. Both artists released similar styled albums, but Lyman kept more Hawai’i in his music as the sixties went on, being hawaiian might be a reason. He had some of the deepest, most atmospheric and soulful Exotica recordings, combining authentic ethnic instrumentation with modern jazz. Another interesting point of note are humorous tunes he often selected to appear towards the end of his LPs. He may not have had a Sandy Warner on the covers, but many are very beautiful, classic Exotica designs. Taboo 2 had an authentic shrunken head on the front, until it was repackaged with a shot from the Pele roll of film.
Kevin Crossman writes on the Exotica list:
Collectors has released 18 Lyman albums in their entirety as 9 two-fer CDs. … Don’t be fooled by lame, generic cover art. each release has the cover of both LPs printed in full color. All you have to do is take the front booklet out and fold it backwards to show the cool orig Lp cover art! The CD also contains a reprint of one of the Lp back covers … Look for the double titles separated by a slash. Steer clear of the Greatest Hits package – it is not bad but I’m sure you would rather have the full experience of a Lyman lp in its original format …
… ‘Anyway,’ wrote Karen Cotter, ‘from amongst my aunt’s books I acquired two old poetry books by Don Blanding, published in 1923 and 1925 respectively, and in the back of one, written in pencil, is a list of ‘Beach Boys of
Waikiki’ in my aunt’s hand which I thought you might find of interest…’
The listing – by no means complete, but still the largest list of 1930s Waikiki Beach Boys I have seen anywhere – is as follows, in the order it was written: …
A film by Denny Tedesco What is the Wrecking Crew?
The Wrecking Crew were a group of Studio Musicians in Los Angeles in the 60s who played on hits for the Beach Boys, Frank Sinatra, Nancy Sinatra, Sonny and Cher, Jan & Dean, The Monkees, Gary Lewis and the Playboys, Mamas and Papas, Tijuana Brass, Ricky Nelson, Johnny Rivers and were Phil Spector’s Wall of Sound. The amount of work that they were involved in was tremendous. …
here’s the trailer
Song List (the links go straight to iTunes):
5th Dimension Let the Sunshine in/Aquarius Stone Soul Picnic Up Up and Away One Less Bell to Answer
The highest quality surf memorabilia ever brought to auction in Australia will be seen at the Global Surf Industries Noosa Festival of Surfing. The world’s leading authority on surf collectibles, Hawaii’s Randy Rarick will host the evening.Rarick, convenor of the biggest surf auction in the world, Honolulu’s bi-annual Hawaiian Islands Vintage Surf Auction, is making his first trip back to Noosa in eight years for the March 5 auction, to be held at the Festival Village in Lions Park, Noosa Heads.In addition to running the world’s biggest surf auction in Honolulu every second year, Randy is the long-term director of the Hawaii Triple Crown, a founding father of professional surfing and one of our sport’s leading craftsmen and adventurers. He will be assisted by some of Australia’s leading experts in surf memorabilia, including surfboard guru Bob McTavish and author/film buff Murray Walding, plus regular festival auctioneer Bob Johnson.
read more here Pacific Longboarder
Up for Grabs: MP boardshorts as worn in Morning of the Earth, 1971. Framed with signed photo.
FASCHING HAWAII Rosenmontag 04.02.07 21.00 -4.00 Im Atomic Café, Neuturmstr. 5 München
Live auf der Bühne: HONOLULU SIXPACK Honolulu Sixpack spielen Hawaii Rock’n’Roll der mit Calypso, Surf und anderen exotischen zutaten aufgelockert wird. Seit Ihrer Gründung vor ca. 2 Jahren ging es in der Szene mit der Band steil nach oben. Bisheriger Höhepunkt war sicher Ihr Openair Gig bei der legendären Hawaii Party in Senigallia vor ca. 4000 begeisterten Fans. Mit Ihrer 6 Mann Besetzung (incl. Ukulele, Lapsteel-guitar, Percussions, Piano & Organ) bieten sie einen breiten, selten so live präsentierten Rock’n’Roll Sound, der in die Beine geht!
& DJ Lemon Squeezer (Atomic Café) spielt: Hawaiian Rock’n’Roll, Swing Hapa Haole Songs, Tamouré, Surf, Calypso, Limbo & Latin Exotica
The first book I ever read featuring the topic of surfing is going to be available as a free audiobook at LibriVox. It’s The Cruise of The Snark by no other than the great Jack London. I am listening to the surfing chapter A Royal Sport right now. I must say, since English is not my first language, while I can understand all the spoken words, it’s still hard to follow. He’s reading a little fast, and doesn’t get you into the mood too much. I hope these free offers don’t discourage professional efforts. I would think surfing literature would make great audiobooks. A Royal Sport audio (Jack London)
Das Allerwichtigste vorweg: Letzter Hula-Tanz-Workshop am kommenden Wochenende.
Zweites Advent-Wochenende – 08./09.12.2007 Weihnachts-Hula-Special-Weekend in 78355 Hohenfels-Mindersdorf in unserem neuen Hula-Tanz-Studio “Hale Kalehua” . Wir lernen 2 Hula-Choreografien (Auana- und Kahiko-Style) zu den schönsten,! hawaiianischen Weihnachtsliedern.
Euer sehnlichster Wunsch wurde erhört. Nun gibt es das Weihnachts-Special-Hula-Tanz-Event gleich im Doppelpack. Am 08. und 09. Dezember 2007 habt Ihr Gelegenheit, zwei der schönsten und romantischsten hawaiianischen Weihnachts-Hulas zu erlernen. Die Songs zu den Choreografien sind: 1. Tag: Hula-Auana-Style: “Kanaka Wai Wai” 2. Tag: Hula-Kahiko-Style: “Little Drummer Boy” (Keiki Kane Ho’okani Pahu) – hier seht Ihr einen Videoclip mit Kalehua, die den “Drummer Boy” tanzt… Beide Choreografien sind relativ leicht zu erlernen und sind deshalb auch für Hula-Anfänger geeignet. WICHTIGE BRANDAKTUELLE INFO: Eine Trainings-DVD als Langzeitgedächtnis zu beiden Liedern kann an den Kurstagen erworben w! erden!
Dieses Hula-Wo chenende in besonders feierlicher Stimmung ist auch zugleich der letzten Hula-Workshop im alten Jahr 2007.
Lyle Ritz has logged over 5,000 sessions on the bass as a studio musician. But for his latest project, he wanted to figure out a way to make music on a computer. So Ritz bought an Apple laptop and a software program called GarageBand, designed for making home recordings. Six months later, he completed work on a new solo album.
‘Hardly anybody knew how to operate GarageBand, how to deal with it,’ Ritz says. ‘So I had to fool with it a couple of months.’
On No Frills, however, Ritz entered the bass line into the computer using a synthesizer. That’s because the album features Lyle Ritz’s other musical passion: the jazz ukulele.
Ritz is known as the ‘father of jazz ukulele’ for merging the genre with the four-stringed instrument, and his credits on bass include multiple pop hit singles. However, it was in college, while he was working at a Los Angeles music store, when Ritz first picked up either instrument.
‘This was in the 50s, when Arthur Godfrey, the entertainer, who liked to play the [ukulele], popularized the instrument, and so many people just had to have ukes,’ Ritz says. ‘And one day I picked it up, somebody wanted to see this beautiful, nice, big tenor uke, and I picked it up and played a few chords on it, and I was gone.’
After a stint with a U.S. Army Band during the Korean War—in which Ritz played tuba—he dropped by the music store and played a few tunes on the ukulele for his former boss. Ritz didn’t know that jazz guitarist Barney Kessel, the West Coast representative for Verve Records, was present.
‘I just about fell through the floor,’ Ritz says. ‘I couldn’t believe that I had actually played before this man.’
Kessel offered Ritz a record deal, and in 1957—50 years ago—Ritz recorded an LP called How About Uke?, the first album for jazz ukulele.
How About Uke and its follow-up 50th State Jazz generated little interest, however, and Ritz soon abandoned the ukulele for the bass. It was at that point when Ritz joined the ‘Wrecking Crew,’ the legendary group of studio musicians who played on many of the pop hits which came out of the Los Angeles area from the mid 1960s to the early 80s. Later, Ritz also played on film scores.
While Lyle Ritz’s bass was heard by millions, his jazz records for Verve were being studied by a generation of musicians in Hawaii, home of the ukulele.
Roy Sakuma is Hawaii’s foremost teacher of the instrument. ‘All of a sudden here comes Lyle with all these fantastic chord harmonies that just took music to a whole new level on the ukulele,’ Sakuma says. Sakuma tracked Ritz down in 1984, inviting him to headline his annual ukulele festival in Hawaii. Ritz ended up moving to the islands for some time.
Ritz currently lives in Portland, Ore., where he continues to experiment with music and new recording technology. He says he’s always fooling with his ukulele—after all, he did teach himself to play the instrument.
‘I’m a firm believer and exponent of the art of noodling,’ Ritz says. ‘You don’t necessarily have to have a goal in mind, you don’t have to have a specific phrase or song that you’re working on, but you just fool with it and things happen. And I call the result the fruit of the noodle.’
Friday, July 6 – 7:30 PM Hawaii, 1966, MGM Repertory, 161 min. Director George Roy Hill’s (Throughly Modern Millie) adaptation of James Michener’s sprawling South Seas epic was nominated for seven Academy Awards, including Best Cinematography (Russell Harlan) and Best Music Score (Elmer Bernstein). Max Von Sydow is the puritanical missionary who marries disappointed-in-love Julie Andrews just before they set sail to do the Lord’s work in the early 19th century island paradise. But they get more than they bargained for, squeezed between an onslaught of natural disasters and strange native customs. Their Calvinist devotion to a fire-and-brimstone worldview clashes head-on with the uninhibited, Dionysian headiness of the tropical lifestyle. With Richard Harris as Andrews’ former flame, Gene Hackman, Carroll O’Conner, Jocelyne LaGarde (who received an Oscar nomination for Best Supporting Actress).
Saturday, July 7 – 4:00 PM Rare Tiki Island-Themed TV Approx. 60 min. Artist Kevin Kidney hosts an entertaining hour of vintage tiki-themed television from the early 1960s – including some special surprises! *Tickets available to this program at the door only UNLESS purchased with the Luau Dinner ($20).
Saturday, July 7 – 5:00 PM Luau Dinner Following the 4 PM program, join us in the Egyptian Courtyard at 5 PM for a Royal Southern California-style Luau with live music from King Kukelele and his Friki Tikis, the Polynesian Paradise Dancers, vendors and a bountiful island-themed dinner.
On Saturday, July 7th, you have three special ticket price options: Movies Only (valid for all movies on Saturday only): General: $12; Senior/Student: $10; Cinematheque Member: $9
Luau Dinner Only: $20 (includes film admission for 4 PM show and dinner.)
All Movies (4 PM and 7:30 PM Movies), plus the Luau Dinner: General: $27; Senior/Student: $25; Cinematheque Member: $24
*A limited number of dinners will be sold at the door. To guarantee a dinner ticket please purchase in advance.
Vendors in the Courtyard may include: Tiki Tony, Adrift Clothing, Crazy Al’s Bone Productions, “Dumb Angel” Magazine authors Dominic Priore and Brian Chidister, Tiki Diablo, Falling Cocos, Coconut Kids Clothing, Tiki Farm, the American Cinematheque selling poster and others…
Saturday, July 7 – 7:30 PM Double Feature: The Sophisticated Misfit, 2007, Smee Entertainment, 65 min. Mark Chervinsky directed this four-year exploration of the world of Shag, the unlikeliest of Los Angeles artistic icons. Shag’s work doesn’t reflect the multicultural urban milieu of contemporary Los Angeles but rather an entirely different era. Think post-WWII boom years, suburban tracts sprawling across the landscape, Disneyland opening its doors and designers embracing the space-age motifs of Sputnik and the mission to the moon. Shag’s world is one of early 1960’s furniture, cocktail hours, sprawling ranch houses, built-in wet bars, and jet-set style. He embraces a simpler time. But his artwork is filled with subtle, humorous winks of the eye acknowledging that this period wasn’t quite so simple. The smiling women in their mod dresses hold secrets. The festive party scene in the go-go ’60’s home isn’t really what it seems. With Whoopi Goldberg, Patton Oswalt, Paul Frank and Shag. Winner of the Maverick Filmmaker Award at the 2007 Newport Beach Film Festival.
His Majesty O’Keefe, 1954, Warner Bros., 91 min. Director Byron Haskin (THE NAKED JUNGLE; the original WAR OF THE WORLDS) brings a bracing exuberance to this tall tale of stranded-in-Micronesia sea captain Burt Lancaster’s quest to manipulate his native hosts into helping him build a trading empire. Joan Rice is the enchanting island girl who ends up being queen to his king. The spectacular Fiji Islands locations were stunningly photographed by the great cinematographer Otto Heller (THE CRIMSON PIRATE). Co-starring Andre Morell, Abraham Sofaer, Benson Fong. “…This swashbuckling South Seas adventure feature is ideally suited to Burt Lancaster’s muscular heroics. The Fiji Islands location lensing is a plus…” — Variety Discussion in between films with Shag and director Mark Chervinsky.
Sunday, July 8 – 7:30 PM Miss Sadie Thompson, 1953, Sony Repertory, 91 min. Dir. Curtis Bernhardt (Possessed). After having to leave Hawaii when her Honolulu singing job goes kaput, hard-luck dame Sadie Thompson (Rita Hayworth) is stranded on the isle of Samoa which is home to a U.S. Army base. She’s befriended by well-meaning, lovable GI hunk Aldo Ray as well as his soldier pals (including a young Charles Bronson). But dirty-minded lay minister and self-righteous gadabout Jose Ferrer, laying over with his wife on a trip, believes she is nothing more than a common prostitute and is offended by her presence. He takes it upon himself to make Sadie’s life a living hell until he can get her deported back to the States. Although Rita’s singing voice was dubbed by Jo Ann Greer, you would never know it during the musical numbers – she is positively dynamite performing “Hear No Evil,” “The Heat Is On,” and “Blue Pacific Blues.” Originally shot in 3-D, this is a terrific color remake of W. Somerset Maugham’s classic tale Miss Thompson, first filmed in 1932 as RAIN by director Lewis Milestone with Joan Crawford.
